Synopsis (from amazon)
It is the 1860s, and Rachel Faraday is trying to follow in the footsteps of the Pre-Raphaelite artists. Struggling to make a living, in a world that looks down on female traders, she paints her fabrics in the colours and styles of the artists and sells them to wealthy women who daydream about clasping the men of the Pre-Raphaelite Brotherhood between their thighs. One night, she meets a man, who, after the coldness of her cottage and the loneliness of her existence, shows her the possibility of a different life. The next day, he is arrested on suspicion of cold-blooded murder. As Rachel sets out to prove his innocence, she realizes that she must come to terms not only with the evidence in front of her, the vagaries of her trade, the hot-blooded attentions of Dante Gabriel Rossetti, but her own erotic longings and the secrets of her past.
I’m trying to remember anything of note about The Pre-Raphaelite Seamstress. There isn’t a hell of a lot to be honest. In fact the main thing of note I can think of is that as a historical novel it seemed loose. I wouldn’t really say historically inaccurate, but it had little real history except for the setting.
As a crime novel it was better, but a little sketchy. Not as much detail as I would have liked, but enough to keep me wondering and reading.
The sections with Rossetti were…strange. It seemed almost as if Murray wanted to write the story about Rossetti but couldn’t find a whole story there so decided to find a place in another story for it. It fit in with the rest of the story, but only slightly, it seemed an unnecessary plot line.
There was a romantic element too. Which was a driving force but a minor element to the story, according to amazon this book is the first in a series which is yet to be finished, I can see the romantic element being a larger plot line than in this first book.
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